This study aims to examine the intrinsic elements of integrated Senja Soneta to form a single unit. The structure of poetry is not just a collection of words that stand alone without cohesion or cohesion because the structure is a whole. Soneta is a lyric poetry written in one stanza (verse) which consists of fourteen lines in total. Intrinsic elements of Soneta, namely diction, style of language, imagination, rhythm-rhyme, repetition of sound, and the relationship between sound and meaning. This research is a descriptive study, the research subject, which is the text of "Senja" Soneta, taken from the 3rd collection of puspa mega poetry published by jaya library in 1975 with standard parameters intrinsically unsettled Sonetas, Data source is Soneta "Senja" by Sanusi Pane with the research instrument is the researcher himself. This research uses purposive sampling. This sample was chosen based on certain considerations. Data collection techniques used to reduce data. The results of this study provide that Sanusi Pane's Senate Soneta poetry uses standard variations, personification language style, semile, parallelism, metaphor, visual image, internal sensation, auditory, tactile, quatraining 1 and 2 abba rhymes, adultery 1 and 2 cde rhymes, alliteration, and tones in adultery 1 and 2. are intrinsic elements that are interconnected and form a unity in forming the stylistic Soneta "Senja", the work of Sanusi Pane). The implication is that it can be considered by the Dean of the Teaching and Education Faculty of the Open University so that Indonesian Sonetas become one of the material in literary theory courses.
| Published in | International Journal of Literature and Arts (Volume 8, Issue 5) |
| DOI | 10.11648/j.ijla.20200805.13 |
| Page(s) | 277-286 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2020. Published by Science Publishing Group |
Analysis, Poetry, Structure, "Senja" Soneta, Sanusi Pane
| [1] | A. Rosidi, Ikhtisar sejarah sastera Indonesia. Dunia Pustaka Jaya, 2018. |
| [2] | A. Siswantoro Sunanda, “Metode Penelitian Sastra.” Surakarta: Universitas Muhammadiyah Press, 2004. |
| [3] | P. Macherey and T. Eagleton, Theory of literary production. Routledge, 2006. |
| [4] | S. Endraswara, Metodologi penelitian sastra. Niaga Swadaya, 2008. |
| [5] | A. S. Suminto, “Berkenalan dengan Puisi,” Yogyakarta Gama Media, 2008. |
| [6] | C. Carpineto and G. Romano, Concept data analysis: Theory and applications. John Wiley & Sons, 2004. |
| [7] | C. Foley, “A Review of Claire Botterill’s Pottery For Life: A Guide for Beginning Potters and Those with Special Needs,” J. Vocat. Spec. NEEDS Educ., vol. 24, no. 1, p. 37, 2001. |
| [8] | N. K. Ratna, Antropologi sastra: Peranan unsur-unsur kebudayaan dalam proses kreatif. Pustaka Pelajar, 2011. |
| [9] | K. E. Gade, The Structure of Old Norse" Dróttkvætt" Poetry, vol. 49. Cornell University Press, 2018. |
| [10] | H. T. Faruk, Metode penelitian sastra: sebuah penjelajahan awal. Pustaka Pelajar, 2012. |
| [11] | A. Widayat, “Teori Sastra Jawa,” Yogyakarta Kanwa Publ., 2011. |
| [12] | S. R. Powell, “Solving word problems using schemas: A review of the literature,” Learn. Disabil. Res. Pract., vol. 26, no. 2, pp. 94–108, 2011. |
| [13] | D. Gorys Keraf, Diksi dan gaya bahasa. Gramedia Pustaka Utama, 2009. |
| [14] | G. N. Leech and M. Short, Style in fiction: A linguistic introduction to English fictional prose, no. 13. Pearson Education, 2007. |
| [15] | S. P. Oakley, “Style and language,” Cambridge Companion to Tacitus, pp. 195–211, 2009. |
| [16] | J. Thornborrow and S. Wareing, Patterns in language: An introduction to language and literary style. Psychology Press, 1998. |
| [17] | J. D. Parera, Teori semantik. Erlangga, 2004. |
| [18] | Y. Kanu, Curriculum as cultural practice: Postcolonial imaginations. University of Toronto Press, 2006. |
| [19] | H. J. Waluyo, Apresiasi puisi: panduan untuk pelajar dan mahasiswa. Gramedia Pustaka Utama, 2002. |
| [20] | R. D. Pradopo, “Pengkajian Puisi (Analisis Struktural dan Semiotik),” Yogyakarta Fak. Sastra UGM, 2007. |
| [21] | D. Vanderbeke, “Rhymes without reason? or: The improbable evolution of poetry,” Polit. Cult., vol. 1, 2010. |
| [22] | M. P. Aminudddin and H. Suryana, Pengantar apresiasi karya sastra. PT Sinar Baru Algensindo, 2000. |
| [23] | M. Kaneko, “Alliteration in sign language poetry,” in Alliteration in culture, Springer, 2011, pp. 231–246. |
| [24] | R. Sutton-Spence, J. Mesch, and M. Kaneko, “Signed Renga: Exploration of ‘Genre’in Creative Sign Language,” in Presentation at the 33 rd annual conference of the German Linguistic Society (DGfS), Georg August University, Göttingen, 2011. |
| [25] | L. Perrine and T. R. Arp, Literature: structure, sound, and sense. Harcourt Brace Jovanovich, 1974. |
| [26] | H. Nawawi, Metode penelitian bidang sosial. Gadjah Mada University Press, 1993. |
| [27] | A. Teeuw, Tergantung pada kata: sepuluh sajak Indonesia. Pustaka Jaya, 1980. |
| [28] | J. Haynes, Style. Routledge, 2006. |
| [29] | A. G. Dorst, “Personification in discourse: Linguistic forms, conceptual structures and communicative functions,” Lang. Lit., vol. 20, no. 2, pp. 113–135, 2011. |
| [30] | J. Devlin, How to speak and write correctly. Lulu. com, 2016. |
| [31] | Z. S. Harris, “Discourse analysis,” in Papers on syntax, Springer, 1981, pp. 107–142. |
| [32] | M. Israel, J. R. Harding, and V. Tobin, “On simile,” Lang. Cult. mind, vol. 100, 2004. |
| [33] | M. Warnock, Imagination. Univ of California Press, 1976. |
| [34] | S. K. Septiawan, “Metode Penelitian Kualitatif.” Edisi Kedua, Yayasan Obor Indonesia, Yogyakarta, 2010. |
| [35] | M. Hiraga, “Iconic Meanings of Visual Repetition in Poetry,” Semiotics, pp. 95–105, 1991. |
APA Style
Muhammad Arifin Zaidin, Patmawati Halim, Sukirman Nurdjan. (2020). Analysis of Soneta Poetry “Senja” by Sanusi Pane. International Journal of Literature and Arts, 8(5), 277-286. https://doi.org/10.11648/j.ijla.20200805.13
ACS Style
Muhammad Arifin Zaidin; Patmawati Halim; Sukirman Nurdjan. Analysis of Soneta Poetry “Senja” by Sanusi Pane. Int. J. Lit. Arts 2020, 8(5), 277-286. doi: 10.11648/j.ijla.20200805.13
AMA Style
Muhammad Arifin Zaidin, Patmawati Halim, Sukirman Nurdjan. Analysis of Soneta Poetry “Senja” by Sanusi Pane. Int J Lit Arts. 2020;8(5):277-286. doi: 10.11648/j.ijla.20200805.13
Share This Article
Twitter
Linked In
Facebook
Copy
Download@article{10.11648/j.ijla.20200805.13,
author = {Muhammad Arifin Zaidin and Patmawati Halim and Sukirman Nurdjan},
title = {Analysis of Soneta Poetry “Senja” by Sanusi Pane},
journal = {International Journal of Literature and Arts},
volume = {8},
number = {5},
pages = {277-286},
doi = {10.11648/j.ijla.20200805.13},
url = {https://doi.org/10.11648/j.ijla.20200805.13},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20200805.13},
abstract = {This study aims to examine the intrinsic elements of integrated Senja Soneta to form a single unit. The structure of poetry is not just a collection of words that stand alone without cohesion or cohesion because the structure is a whole. Soneta is a lyric poetry written in one stanza (verse) which consists of fourteen lines in total. Intrinsic elements of Soneta, namely diction, style of language, imagination, rhythm-rhyme, repetition of sound, and the relationship between sound and meaning. This research is a descriptive study, the research subject, which is the text of "Senja" Soneta, taken from the 3rd collection of puspa mega poetry published by jaya library in 1975 with standard parameters intrinsically unsettled Sonetas, Data source is Soneta "Senja" by Sanusi Pane with the research instrument is the researcher himself. This research uses purposive sampling. This sample was chosen based on certain considerations. Data collection techniques used to reduce data. The results of this study provide that Sanusi Pane's Senate Soneta poetry uses standard variations, personification language style, semile, parallelism, metaphor, visual image, internal sensation, auditory, tactile, quatraining 1 and 2 abba rhymes, adultery 1 and 2 cde rhymes, alliteration, and tones in adultery 1 and 2. are intrinsic elements that are interconnected and form a unity in forming the stylistic Soneta "Senja", the work of Sanusi Pane). The implication is that it can be considered by the Dean of the Teaching and Education Faculty of the Open University so that Indonesian Sonetas become one of the material in literary theory courses.},
year = {2020}
}
TY - JOUR T1 - Analysis of Soneta Poetry “Senja” by Sanusi Pane AU - Muhammad Arifin Zaidin AU - Patmawati Halim AU - Sukirman Nurdjan Y1 - 2020/08/27 PY - 2020 N1 - https://doi.org/10.11648/j.ijla.20200805.13 DO - 10.11648/j.ijla.20200805.13 T2 - International Journal of Literature and Arts JF - International Journal of Literature and Arts JO - International Journal of Literature and Arts SP - 277 EP - 286 PB - Science Publishing Group SN - 2331-057X UR - https://doi.org/10.11648/j.ijla.20200805.13 AB - This study aims to examine the intrinsic elements of integrated Senja Soneta to form a single unit. The structure of poetry is not just a collection of words that stand alone without cohesion or cohesion because the structure is a whole. Soneta is a lyric poetry written in one stanza (verse) which consists of fourteen lines in total. Intrinsic elements of Soneta, namely diction, style of language, imagination, rhythm-rhyme, repetition of sound, and the relationship between sound and meaning. This research is a descriptive study, the research subject, which is the text of "Senja" Soneta, taken from the 3rd collection of puspa mega poetry published by jaya library in 1975 with standard parameters intrinsically unsettled Sonetas, Data source is Soneta "Senja" by Sanusi Pane with the research instrument is the researcher himself. This research uses purposive sampling. This sample was chosen based on certain considerations. Data collection techniques used to reduce data. The results of this study provide that Sanusi Pane's Senate Soneta poetry uses standard variations, personification language style, semile, parallelism, metaphor, visual image, internal sensation, auditory, tactile, quatraining 1 and 2 abba rhymes, adultery 1 and 2 cde rhymes, alliteration, and tones in adultery 1 and 2. are intrinsic elements that are interconnected and form a unity in forming the stylistic Soneta "Senja", the work of Sanusi Pane). The implication is that it can be considered by the Dean of the Teaching and Education Faculty of the Open University so that Indonesian Sonetas become one of the material in literary theory courses. VL - 8 IS - 5 ER -
Email: